Alpine Lace belt 3 tone negative and laced edge

OUR BELTS AND HOW TO ORDER THEM

One of our specialties, besides custom saddles and leatherwork, is the creation of distinctive, hand made belts. Both material and construction differences distinguish us from other makers.

CONSTRUCTION

Orms Pecos 2021 closeup

Distinctive, handmade belts are a trademark of our saddle shop. Seidel’s Saddlery belts have been featured in numerous publications and are gaining value in collector markets as well. The outer surface is one piece of leather and the inner surface is a separate piece of leather. The pieces are glued back to back and then stitched together. The result is a finished surface on both sides, resulting in a very durable and long-lasting belt.  The glue barrier keeps the belt from sweating through to the top layer and discoloring the belt.  The completed belt will be approximately 12 ounce weight (3/16ths thickness).

Our stitching consists of 10 to 12 stitches per inch, which is much finer than the industry standard. In the end, the product is very detailed and finely finished; a true functional work of art.

Tooled Belt w/ tip initials

 Yellowstone Rose belt filigree laced edge

MATERIALS

Seidel’s Saddlery belts are constructed using a saddle ‘skirting’ leather exterior and tooling leather lining on the inside.  Skirting leather requires a tanning process roughly twice as long and with many more steps, but, we believe, the result is worth it—a nice pliable belt that is not stiff and “boardy”. We also use only the premium part of the hide—no bellies, no necks, which translates into only 15 to 18 belts per side of leather.  While much more expensive as a raw material, the surface is more durable, colors more richly, and allows our artisans to capture finer detail in the carving than would result using strap leather.  The result is superior definition, artistry, and durability in the finished product.

stingray western exotic w 1.5 ss bkl3 tone filigree

TOOLING

The tooling or carving on our belts has exquisite detail and depth.  Our tooling style is in the traditional Sheridan style of flower carving; however, within that style, we have spun our own signature look that is truly our own.  We use over 20 different stamping tools plus a swivel knife just to carve and stamp one belt.  There is no pattern roller here!

Keith SeidelKeith tooling belt

 

TOOLING PATTERNS

Wyoming Wild Rose
Wyoming Wild Rose

 

Yellowstone Rose
Yellowstone Rose

 

Sheridan Primrose
Sheridan Primrose

 

California Poppy
California Poppy

 

Wilderness Wildflower
Wilderness Wildflower

 

Alpine Lace
Alpine Lace

 

Old Faithful Oakleaf
Old Faithful Oakleaf

 

Annie Oakleaf
Annie Oakleaf

 

Teton Rose
Teton Rose

 

Historic Cheyenne
Historic Cheyenne

 

Shoshone Scroll
Shoshone Scroll

 

Basket
Basket

 

Swirlcut crazy basket
Swirlcut crazy basket

 

Finger carved lining
Finger carved lining — INSIDE of the Belt

COLORS:  Chestnut, Cognac, Light Brown, Dark Brown, Mahogany, Chocolate, Black

DYED BACKGROUNDSchaezlein buckle wwr belt

Dyed background is the process of using a tiny paintbrush and a darker colored dye, and “staining” the background on a carved belt a darker color, thus emphasizing the tooling pattern.  (Photo shown is chestnut color with the background dyed).

 

 

 

 

KANGAROO BRAIDED EDGEWilderness Wildflower n Oakleaf

Kangaroo lace is considerably more expensive than cowhide lace, but gives a fine textured, smooth surface that is extremely durable. Kangaroo is used in the making of bullwhips and stock whips because it is tough and up to four times stronger than cowhide. We cut and bevel our own lace from a whole kangaroo hide.  Laced edges are available in Black and Dark Brown.

 

 

 

Buckstitch

BUCKSTITCH

Buckstitch a wide linear stitching done in leather around the belt edges.  Available in Dark brown, and Black kangaroo.  Buckstitching does require that the tooling pattern be smaller to allow for the wider border to accommodate the buckstitch.

 

3 TONE3 tone belt

3 Tone is taking the dyed background, and adding yet another dimension—dyeing the flowers, leaves, and scroll work different colors (lighter or darker tones).  In this photo, the flowers and leaves are the lightest color, the scrolls / vines are the medium brown color, and the background is the darkest color.

 

 

 

Finger carved back

FINGER CARVED LINING

A finger carved lining is an option on the back of our belts. This is a process when a pattern is cut with a swivel knife into the lining leather of the belt. It gives the belt a decorative look even though it is hidden to others.  It also relaxes the belt and makes it more pliable and comfortable.

 

 

 

 

FILIGREE

Filigree is where the background is cut out around the flowers, leaves, and scrolls after carving, and placing a snake or lizard inlay showing through the cutouts, giving a real 3 dimensional look to the belt.

Inlay colors include, but are not limited to:  black, dark brown, cognac, cream, burgundy, turquoise, pink, silver, or by special request.

 

STRAIGHT, RANGER, NEW RANGER, TAPERED –  The BUCKLE will determine the style of belt that you need

STRAIGHT: This belt style will be a uniform width (straight) throughout its entire length. The most common width is 1 1/2 inches, used primarily for trophy-style or rodeo-style buckles.

 

Tapered Belt
TAPERED:  The main body of this belt will be a uniform width, and will narrow at the buckle and tip ends. The most requested sizing will be 1 1/2 inches in the main body, with the ends tapered to 1 inch. Also popular is 1 1/4 inches tapering to 3/4 inch and other combinations are possible.

 

 

 

 

 

 

 

 

Ranger Belt 3 tone
TRADITIONAL RANGER:  The main body of the belt is a uniform width along its length. For the buckle and tip ends, an additional, narrower, piece of leather, called a billet, is stitched to the main body of the belt. In this arrangement, there are two layers of the main belt body that overlap and form a background behind the buckle, keeper and tip set. This style adds some thickness at the front because of the layers of leather in that area, but gives a nice look and remains popular. The benefit of the ranger belt is the “all one width” look in the front, unlike that of the tapered belt.

 

NEW RANGER:  This design arose from a desire to offer a less bulky belt in the buckle area than the traditional ranger style. In this style, the main body of the belt is a uniform width along its length, with the exception of the buckle end. The buckle end is tapered to the size of the buckle set, and the tip end of the belt has an extension the full width piece behind the tip end of the belt. When this belt is buckled, the leather is the same width all the way around, even under the smaller buckle set.  The design is thinner than the traditional regular ranger style by two thicknesses of leather.  Most commonly done with a 1 1/2 inch main body and either 1 inch or 3/4 inch ends, but can be made to other dimensions.